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BTTM FDRS Kindle & comiXology
- LanguageEnglish
- PublisherFantagraphics
- Publication dateJune 26, 2019
- File size351463 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
From the Publisher
Praise for BTTM FDRS:
“The brightly hued, visually compelling panels provide an electrifying feel to each page.”
—Chicago Reader
Praise for BTTM FDRS:
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“BTTM FDRS is a brilliant meteor of a graphic novel, and I’m pretty sure when it comes into your life, you won’t know what hit you. Vibrantly drawn and perfectly paced, this comic is as compelling to read as the story is necessary to hear. Simultaneously delivering visceral horror, cutting satire, and a nuanced interrogation of urban gentrification.” —Edie Fake, Eisner Award-Winner, Gaylord Phoenix |
“When Passmore observes daily life...his work explodes with force. ” —Hillary Chute, The New York Times |
“Daniels and Passmore bring their satirical acumen and sense of the macabre aspects of society to their first collaboration. The medium is the monster and the mastery of its use are utterly apparent in this powerful sequential manifesto.” —John Jennings, NYT best-selling author and Eisner-winning scholar/artist |
Praise for BTTM FDRS:
“I fell in love with this comic right about page one, and then just kept falling. The story is smart, the characters feel lively and real, and the art is moody and lovely. One hell of a winning recipe.”
—Victor LaValle, The Changeling
Editorial Reviews
Review
― Victor LaValle, The Changeling
"BTTM FDRS is a brilliant meteor of a graphic novel, and I’m pretty sure when it comes into your life, you won’t know what hit you. Vibrantly drawn and perfectly paced, this comic is as compelling to read as the story is necessary to hear. Simultaneously delivering visceral horror, cutting satire, and a nuanced interrogation of urban gentrification."
― Edie Fake, Eisner Award-Winner, Gaylord Phoenix
"BTTM FDRS is a horror comic, an amplification of new voices, a meditation on trends in urbanization, a Goonies-type adventure, a look at female and cross-racial friendship, a beautiful visual examination of lumpiness and more, all moderated by a skeptical sense of humor."
― Paste
"A coy, gruesome satire of gentrification."
― Hyperallergic
"Gentrification horror and sociopolitical satire play out with sharpness in this visually brilliant thriller set in a fictional Chicago South Side community."
― Washington Post
"Daniels and Passmore have created a funny, creepy, acid-toned satire about the horrors of gentrification."
― Chicago Public Library
"A savage Afrofuturistic horror comedy about gentrification, racial invisibility, and cultural appropriation in knock-your-eyes-out, 'non-literal' coloring."
― Library Journal
"Creepy and charming, BTTM FDRS mashes up oozy, sick horror and dark, politically barbed comedy. It does all this with a cast of distinctive characters, funny, stinging dialogue, and moments of queasiness built around a body horror conceit: that of a building that literally gets inside your guts. It’s one of a kind."
― Charles Hatfield, Eisner-winning comics scholar
"At turns funny, scary, and thought provoking, BTTM FDRS is a uniquely striking graphic novel that offers a vision of horror that is gross and gory in all the right ways."
― Midwest Book Review
"Daniels and Passmore make horror feel vital again."
― Broken Frontier
"BTTM FDRS drags up our culture's biggest, ugliest globs of unconscious sewage and spreads it across a white page for us to see and acknowledge."
― PopMatters
"Brilliant, striking, unique, compelling, and just a damn good read, BTTM FDRS is a triumph."
― San Francisco Book Review
"Passmore composes some very striking images, and a high-intensity color palette adds an extra pop to the linework."
― The A.V. Club
"Daniels and Passmore bring their satirical acumen and sense of the macabre aspects of society to their first collaboration. The medium is the monster and the mastery of its use are utterly apparent in this powerful sequential manifesto."
― John Jennings, NYT best-selling author and Eisner-winning scholar/artist
"The brightly hued, visually compelling panels provide an electrifying feel to each page."
― Chicago Reader
"Passmore and Claytan Daniels teaming up is a dream combination."
― Nerdist
"BTTM FDRS is a savvy, albeit grisly, comic urban monster story for the social media generation."
― Publishers Weekly
About the Author
BEN PASSMORE is the author of Dayglo Ayhole and Your Black Friend, which was an Eisner nominee as well as a Dinky and Ignatz Award winner. He lives in Philadelphia, PA.
Product details
- ASIN : B07JMSMZBS
- Publisher : Fantagraphics (June 26, 2019)
- Publication date : June 26, 2019
- Language : English
- File size : 351463 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 301 pages
- Best Sellers Rank: #1,219,841 in Kindle Store (See Top 100 in Kindle Store)
- #575 in Literary Graphic Novels (Kindle Store)
- #2,474 in Literary Graphic Novels (Books)
- #2,882 in Horror Graphic Novels (Kindle Store)
- Customer Reviews:
About the author
Ezra Claytan Daniels is a mixed-race (black/white) multidisciplinary artist and creator of the award-winning graphic novels, Upgrade Soul and BTTM FDRS (with illustrator Ben Passmore). Ezra’s work has been featured on the Criterion Channel, at Chicago’s Museum of Contemporary Art, and is in the permanent collection of the Whitney Museum. Ezra currently resides in Los Angeles, where he writes for film and television, including Doom Patrol, for HBO Max.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
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Top reviews
Top reviews from the United States
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The plot follows Donna, a recent art school grad and aspiring fashion designer. She's moving into an apartment in the BottomYards, a bad part of town, which she was originally from as a child (too small to remember). She's moving into a big apartment in an apartments building that has been mostly vacant for decades, which is under new management, and where the only former tenant is having to move out due to rising rent. Well, that's the opening pages. Beyond that, it gets kind of bizarre. Most negative reviews seem like they weren't into that, and wanted something more linear.
The comic starts with maintenance workers seeing something strange in the crawl space of the building. Then, the next pages are Donna moving in. Soon after Donna moves in strange things begin to happen. I'll call it "haunted", but it's not quite that. As the plot unfolds, it becomes clear it's more like an urban industrial thing - corporate exploitation, and science, and poverty, and organic life, all mixed up together and gone wrong. But, if you go in thinking that the building is haunted, then that kind of gives the vibe.
Much of the asides of the comic book are race relations. Donna is black and her friend, and would be roommate, Cynthia, is white. Cynthia sees the BottomYards as great for a brand. She recognizes a local musician moving into the building and makes it her goal to have sex with him, mostly for image. There are many little microagressions, and at the end, while Donna saves Cynthia from the haunted building, the news media ends up doing a story about Cynthia as the face-of-the-BottomYards (even though she isn't from there and never even managed to move in before things got so crazy with the haunted building). So many microagressions, over and over.
Illustrations are just a few garish colors per page, and style of drawing is maybe gloppy. It's a shame that there isn't any "Look Inside" on Amazon right now. If you scroll down and look at the product description area, there are a couple of frames from the comic, and those kind of give an idea of the style - especially high contrast and limited color palette. As far as telling a story, the pics are effective at that. It's easy to recognize a character from page to page, and distinctive features are played up so that reading the characters in the pics from frame to frame is effortless. Backgrounds are often highly detailed, with clutter or organic scary things (from the haunting).
If you like stand alone comics that are not part of a series, then this is probably worthwhile. Most negative reviews seem to want a more linear plot. Most positive reviews seem to really like the graphics. I am on the fence. I want a more linear plot, but also this book kept interesting, and had good character development, including for the building as a character. What sets it apart is... mood. And, really, the guessing and mystery is really common in stories about hauntings. I don't particularly like it, but it's unique and definitely a keeper for my comic collection, and I will probably compulsively reread it at some point.
The story is set atop a setting of a tough neighborhood that is dealing with issues of race and appropriation. There is an ironic black rapper whose stage act has him dress as an ironic pilgrim from Plymouth Rock and a posing white BFF to the main character who revels in her brushes with black culture, feeling kinship despite her ability to step away from issues when she wants to. It is a nuanced environmental backdrop to a classic monster story. There is plenty of creepiness and comic violence, swearing and adult themes. This is a book for adults who still relish goofy horror stories. It is a fun and surprising read.
The art is a little rough, with a somewhat crude but workable style. The individual cells are well composed and drive the story and eye along the pages. It is not very refined visually, but the rough stylized illustrations seem to fit the story and subject and I could easily tell characters apart, so it all worked.
I would recommend this to any mature audience member who likes quirky storylines with a bit of an edge and a little bit of horror. It was well worth the twenty minutes it takes to read it.
The art is very colorful and has an edgy quality to it that I don't normally like but it really worked with the story. The changes in colors signaled what was happening, ratcheting up the creepiness without relying on the traditional dark-light or grayscale format.
Our main viewpoint character is Darla, an artist who is returning to where she grew up in Chicago, the Bottomyards, which has decayed through institutional and social racism. Darla may complain about people buying up the buildings but she, too, is taking advantage of the lower rents for an apartment that can also serve as artist studio. We get enough into her life and mind that I was able to develop strong empathy for her. Thus the everyday struggles and the weird horror of the building felt more intense.
That weird horror is science fiction in nature and without revealing too much, let me add it deals with the unjust treatment of women and minorities by business and government agencies as well. Through Darla's friends, neighbors, and others she interacts with, that horror is cranked up further.
This graphic novel makes me want to find more work by Daniels and Passmore!
Top reviews from other countries
It doesn't show anything new, what it's shown it's not that exciting.
If it was not by the color pallete and a few in between spot on social and racial commentary, this would be a 1-star rating.
The storyline is boring and I can add this comic to the short list of comics that don't have a single good character that I worried/cared about.