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Blackest Night: Rise of the Black Lanterns Kindle & comiXology
- LanguageEnglish
- PublisherDC
- Publication dateSeptember 11, 2012
- File size847029 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Product details
- ASIN : B0064W67NW
- Publisher : DC (September 11, 2012)
- Publication date : September 11, 2012
- Language : English
- File size : 847029 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 242 pages
- Best Sellers Rank: #848,266 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Geoff Johns is an award-winning and New York Times bestselling writer, film and television producer, showrunner, and entrepreneur known for re-imagining superheroes and other iconic mythologies, past and present. Johns is best known for his work on properties such as Green Lantern, Aquaman, The Flash, Superman, Batman, Justice Society of America, and most recently, the creator-owned hit series Geiger, currently being adapted for television at Paramount.
Since the beginning of his creative career, Johns' hallmark has been writing heroic and inclusive characters, including teenage hero Courtney Whitmore aka Stargirl, inspired by his real-life late sister; the Shazam Family, which he re-imagined into a diverse modern family of today; and the first Arab-American Green Lantern, Simon Baz, as well as the explosive multi-colored Lantern mythology that defined his decade-long bestselling Green Lantern run, among many, many others.
Johns’ most recognized work in television is the critically acclaimed Stargirl series which he created and ran. Some of his film credits include Wonder Woman (executive producer), Wonder Woman 1984 (also co-writer), Aquaman (also story) and Shazam! (executive producer), based on his graphic novel with longtime collaborator and modern legendary artist Gary Frank.
In 2023, Johns co-founded Ghost Machine, the first-of-its-kind creator-owned company. This groundbreaking collective includes some of the industry’s most legendary writers and artists, disrupting the old industry model by giving ownership to its creators, and paving the way for them to retain creative control and financial participation.
Born in Detroit to a Lebanese father, Johns was honored with his own permanent section at the Arab American National Museum in Dearborn, Michigan.
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The book starts off with a story by Geoff Johns featuring the Atom that was ok but I didn't understand the ending. This was followed by a Deadman tale that again didn't really make much of an impression on me. The first story in the collection that stood out for me was Green Arrow by J.T. Krul and Diogenes Neves. Black Lantern GA's cruelty as he attacks his closest friends and allies is acutely painful knowing that within the rotting husk the mind of Oliver Queen is able to perceive everything even as he has almost no ability to control what's going on. I haven't been much of a fan of GA mostly because I don't like the way he's generally written but I was rather impressed with the story here. The art is extremely sharp, bold and clean and good lord Black Canary's breasts are huge. Poor Canary must find it so difficult in hand to hand combat encumbered by those two mountainous protrusions. I would love to see more of Neves art (and no not just because of the way he drew Black Canary dimensions).
The Superboy story was similar to the one with GA as the reader gets to see Conner Kent's horrified thoughts as his Black Ring controlled body assaults Wonder Girl and Krypto. I wasn't a fan of the rough art style in the Starman/Shade story but I was impressed by the writing of James Robinson in particular his ability to create compelling characters that feel more realistic than the often cookie cutter personalities in the DCU. The Questions story was rather forgettable including the sub par artwork. In that issue we discover a new weakness of the Black Rings (a weakness which seems rather unlikely) but this defect never carries over into the main storyline. Apparently it took four artists to produce the Catwoman story and it is pretty slick if uneven but the story is bland while at the same time being a bit more grotesque than I might prefer.
It only took one artist and one writer to produce the Jonah Hex story but this one stands out if for nothing else than the villains are attacked by heroes. Simon Stagg (whose villainy is apparent even as he works with heroes) and Joshua Turnbull the great great grandson of Quentin Turnbull come into possession of one of the Black Rings and are beset upon by the DC Western heroes returned from the dead. Besides the awesomeness of getting Jonah Hex, Scalphunter, Bat Lash and Super-Chief this story also has the best ending of any of the stories. The final story in the collection sees the return of Osiris and Sobek who died during the 52 series. I think the writer misunderstood the directive in writing the tie-in because the undead Osiris is fully in control of his actions (I know there was an explanation but it makes no sense).
I'm undecided as to whether or not I regret getting this collection. On the one hand the stories are repetitive with the dead rising and the heroes fighting against them and ultimately winning. It also makes the Black Lanterns look a bit weak by continually losing. On the other hand some of the stories and art are quite nice and it gave me the opportunity to sample some issues that would normally pass me by. I also got my brief but awesome appearance by Black Lantern Bat Lash. Fifteen dollars seems like a fair price for what you get here and you really don't want to miss Diogenes Neves' rendering of Black Canary.