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Captain America: The Death of Captain America Vol. 2: The Burden of Dreams Kindle & comiXology
- LanguageEnglish
- PublisherMarvel
- Publication dateSeptember 17, 2008
- Grade level8 and up
- File size404268 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
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Product details
- ASIN : B00AAJQY7Y
- Publisher : Marvel (September 17, 2008)
- Publication date : September 17, 2008
- Language : English
- File size : 404268 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 146 pages
- Best Sellers Rank: #1,299,237 in Kindle Store (See Top 100 in Kindle Store)
- #8,317 in Marvel Comics & Graphic Novels (Books)
- #16,115 in Superhero Graphic Novels
- #28,888 in Superhero Comics & Graphic Novels
- Customer Reviews:
About the author

Ed Brubaker is one of the most acclaimed writers in comics, winning five best writer Eisner and Harvey Awards in the last ten years.
His bestselling work with Sean Phillips on CRIMINAL, INCOGNITO, FATALE, and THE FADE OUT has been translated around the world to great acclaim, and Marvel's movies featuring his co-creation, The Winter Soldier, have all been international blockbusters.
Ed lives in Los Angeles with his wife and their crazy dog, where he works in comics, film, and television. He was a writer and Supervising Producer for the first season of HBO's WESTWORLD, and is the co-creator and co-writer of TOO OLD TO DIE YOUNG with Nicolas Winding Refn.
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Brilliant cover by Alex Ross.
It is usually my habit to at least give a synopsis but I just can't seem to see the point. I have been reading comics for 40+ years and Cap has never been this good. If you like superhero comics, read this book. Nuff said.
In this volume, Brubaker, in the space of six issues, pays off a few running plot threads from the previous volume and initiates a major change in the series' status quo by introducing a replacement Captain America (it's Bucky, not that that would be a surprise to anyone reading the series, though Marvel initiated a feeble effort to drum up some suspense over who it was going to be). Sharon and the Falcon largely fade into the background in these six stories; the former struggles against her mental programming, largely unsuccessfully at first, while the reader waits for more information concerning her apparent pregancy with Cap's child, while Falcon, after a teamup with Black Widow to rescue Bucky from the Skull, also recedes temporarily into the background. The major characters are Bucky, the new Captain America, Black Widow, and Iron Man; in effect, with these three, Brubaker momentarily replicates the series dynamic from the initial Winter Soldier arc, with Bucky, Natasha, and Tony in lieu of Steve, Sharon, and Nick Fury. At the midway point, Bucky finally faces off with Iron Man, the hero he sees as the Judas to Steve's Jesus; the confrontation is handled in a way that is quite satisfactory, and respectful of both characters, not at all like J. Michael Strackzynski handled the meeting of Thor and Iron Man in his "Thor" series. Bucky taking up the mantle is also handled with remarkable subtlety, and just feels perfect; if only all legacy heroes could be handled in this manner. When the heroes are done fighting each other, the focus shifts to the Skull, whose master plan begins to really unspool in this volume, and it's a brilliantly realistic one that plays on contemporary economic and political insecurities in the United States (and there's a time machine involved somehow too). The volume ends on a major jolt that will have you ready to pick up the next one and see what Brubaker has in store (or, if the wait is too long, buy the monthly issues).
Brubaker's writing is expertly-paced, both in monthly serial and trade format, and demonstrates in-depth knowledge of all the characters; he's a master both at using a formula and doing it will (thus showing why it became a formula in the first place) and innovatively pioneering his own variations on how things usually go (watch what happens, for example, when Bucky tries to use the old EMP trick to disable Iron Man's powered armour). On art, Steve Epting, Mike Perkins, and Butch Guice all make contributions (in Perkins' case, this is apparently his last scheduled work on the series before leaving for other jobs, and he, fittingly, gets the last pages; I'll miss him, but Guice is a great replacement). The series has always benefited from seamless transitions between its major artists, and that continues to be the case here; the three are all brilliant at rendering fantastical objects like a flying aircraft carrier and making them seem as real and believable as an ordinary car; characters have rich, varied facial expressions, and realistic proportions and body types. And one cannot forget to mention colourist Frank D'Armata, whose wonderful work blends the different artists' work together even more expertly.
If you are looking for a great story, look no further than this book.