
OR
Your Memberships & Subscriptions

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Captain America Vol. 1: Castaway In Dimension Z (Captain America (2012-2014)) Kindle & comiXology
- LanguageEnglish
- PublisherMarvel
- Publication dateJune 12, 2013
- Grade level4 and up
- File size479103 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
-
Next 3 for you in this series
$26.77 -
All 5 for you in this series
$44.75
- Captain America Vol. 1: Castaway In Dimension Z (Captain America (2012-2014))1Kindle Edition$8.79$8.79
- Captain America Vol. 2: Castaway In Dimension Z - Book 2 (Captain America (2012-2014))2Kindle Edition$8.99$8.99
Editorial Reviews
About the Author
John Romita Jr. is best known for his extensive work with Marvel Comics from the 1970s to present day. He lives in New York City.
Product details
- ASIN : B00DP1E98A
- Publisher : Marvel (June 12, 2013)
- Publication date : June 12, 2013
- Language : English
- File size : 479103 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 124 pages
- Best Sellers Rank: #1,172,583 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Rick Remender is the writer/co-creator of comics such as Deadly Class, Fear Agent, Black Science, Seven to Eternity, LOW, The Scumbag, Tokyo Ghost and Death or Glory. During his years at Marvel he wrote Captain America, Uncanny X-Force, Venom and created The Uncanny Avengers. His work at Marvel Comics is the basis for major elements of Avengers: Endgame, Falcon and Winter Soldier, and Deadpool 2.
He served as lead writer/co-showrunner on SyFy's adaption of his co-creation Deadly Class with the Russo Brothers, wrote/developed video games for Electronic Arts such as Bulletstorm and Dead Space, and served as an animator on films such as The Iron Giant and Anastasia.
He currently curates his own publishing imprint, Giant Generator, at Image Comics while writing the film adaptation of Cary Fukunaga’s Tokyo Ghost for Legendary and serving as executive producer on Fear Agent being developed by Matt Tolmach Productions and Point Grey through Sony for Amazon.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
This first half of the Dimension Z saga focuses more on the new world that Remender has throw Steve Rogers into. The strange animals, the slow reveal of the villain's plans, and a surprising companion for the Captain are all pieces of groundwork that lead to an emotional and potentially devastating climax.
This is where the slight problem with this volume lies. Most of what happens in these first five issues doesn't feel particularly important. The climax of the fifth issue isn't entirely impactful, however, all the plot points and emotional notes that are struck here set up for a painful second half, currently being published monthly in magazine format, to be bundled in December 2013. However, even though this volume is slow and somewhat expository, it is a necessary part of the forthcoming second volume.
Romita Jr. on the art is an absolute pleasure. It's a large departure from most comic book art, but it is entirely perfect for this strange world the Captain is in. It bears more than a passing resemblance to his work on Millar's Kick-*ss, that is, the pencilling and color styling is pretty much identical.
All in all, this is a wonderful addition the Marvel NOW initiative and a great book in its own right. If your only experience with Captain America is the movie, this is a great way to explore his character in an unusual, but ultimately satisfying way. Buy this book!
John Romita Jr. brings this freakish world to life with disturbing beauty and consistency. I feel like I've never seen Cap get so beat up, every wound he acquires stays with him into the following issues.
Get ready to see Captain America like never before (but with a tasteful "Old School" feel).
That being said, it wasn't perfect. While I'm a fan of John romita Jr's art, it's easy to see how not everyone will be and some of the sci fi tropes are in full force and a little "on the nose."
All-in-all a good read that left me wanting more.
Top reviews from other countries




Disposer, pour mettre en image ses nouveaux concepts, de rien moins que "JRJR" et ses collaborateurs favoris (Klaus JANSON? - check! - Tom PALMER? - check! - Dean WHITE? - check! et tous en super-forme, SVP !), donne probablement un coup de pied dans les fesses supplémentaire, s'il en manquait !
Pour ce nouvel arc des aventures du Cap', dont les 5 premiers chapitres sont ici repris, et qui commence le jour de ses 90 ans, préparez-vous à de l'inédit : en quelques pages, notre héros est projeté dans un univers totalement inconnu, exceptée la présence d'un de ses plus notables ennemis. Et le Cap' va rester dans cet univers -- ou cette dimension -- incertain et dangereux pendant beaucoup plus longtemps que Hulk avant lui sur la planète Hulk !
Pour tenir face à cette épreuve, le Cap' va devoir puiser au plus profond de sa personnalité et de ses qualités, héritées de son éducation dans les années 1920 et 1930, que quelques flashbacks mettent en lumière.
Outre le fait que l'ouvrage offre la possibilité d'accéder à des suppléments digitaux (pas vus), toutes les couvertures officielles et "variantes" (Ryan MEINERDING, Paolo RIVERA, Julian TOTINO TEDESCO, Alex MALEEV dans le style de Frank FRAZETTA (?!?), etc.) sont proposées ainsi que diverses études de costumes ou planches en N&B.

But by far the biggest problem is Marvel’s publishing strategy, which takes no prisoners in milking content for every cent across formats. This book, which only provides half the story really should’ve been presented as a whole, perhaps in oversize hardcover format. I didn’t care for the useless thick card insets at the rear either, which unbelievably interupt the book’s function (as a book!) and make the whole thing feel cheap, which it isn’t. So if you can grab both this and the concluding entries at a decent price they’re well worth a read.