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Fables Vol. 12: The Dark Ages (Fables (Graphic Novels)) Kindle & comiXology
- LanguageEnglish
- PublisherVertigo
- Publication dateDecember 23, 2014
- Reading age18 years and up
- File size542694 KB
- Due to its large file size, this book may take longer to download
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Editorial Reviews
About the Author
Mike Allred has worked for DC comics as a colorist, inker, penciller, writer, cover painter, cover colorist, and cover artist.
Born in 1966 in the English seaside town of Clevedon, Mark Buckingham has worked in comics professionally for the past twenty years. In addition to illustrating all of Neil Gaiman's run on the post-Alan Moore Miracleman in the early 1990s, Buckingham contributed inks to The Sandman and its related miniseries Death: The High Cost of Living and Death: The Time of Your Life as well as working on various other titles for Vertigo and Marvel through the end of the decade. In 2002 he took over as the penciller for Bill Willingham's Fables, which has gone on to become one of the most popular and critically acclaimed Vertigo titles of the new millennium. When not in Clevedon, Buckingham can be found with his wife Irma in the Asturias region of northern Spain.
Product details
- ASIN : B0064W65CK
- Publisher : Vertigo (December 23, 2014)
- Publication date : December 23, 2014
- Language : English
- File size : 542694 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 162 pages
- Best Sellers Rank: #459,647 in Kindle Store (See Top 100 in Kindle Store)
- #326 in Graphic Novel Adaptations
- #375 in Romance Graphic Novels (Kindle Store)
- #577 in Romance Graphic Novels (Books)
- Customer Reviews:
About the author
Bill Willingham never fought a desperate and losing battle in a good cause, never contributed to society in a meaningful way, and hasn't lived a life of adventure, but he's had a few moments of near adventure. At some point in his life Bill learned how to get paid for telling scurrilous lies to good people, and he's been doing it ever since. He lives in the wild and frosty woods of Minnesota.
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In the first secton, a sort of establishing one, an interlude, "Around the Town", we get interesting (different from what we're used to, too) art by Michael Allred--very two-D, darkly outlined, thick areas of color. A sort of retro art look, but I liked it. Pinocchio is showing his toxic maker around Fabletown, where most don't wish him well at all. He gets an opportunity to spout his menacing philosophy, and there's nothing likable about this still-menacing (if momentarily neutered magically) puppetmaker. I like how Pinocchio is drawn in a very boy-like way, unlike the original/usual Pinocchio who has a huge head and square jaw, as if he were a dwarf rather than a boy. I also liked seeing Bigby and Snow's brood taking in the city. (Bigby looks like a young Marlon Brando in this chapter.)
After that, we are in familiar visual ground with Buckingham's style as we move into a series of chapters that toggle between Fabletown in the city and parts of the homeland, where things are happening that not everyone is yet aware of--very dangerous things that bode ill for the residents of all fabley places. One is Mr. Dark (and yes, that connects to the title) and the other is Baba Yaga, who you may recall is imprisoned way down there in Fabletown's dungeons. There is a short, but hilarious, section with Bufkin, the flying monkey, and his digestive event. Bad things are also happening to our dear Boy Blue, whose wounds post-Wartime are not healing well at all.
The darkness in this Dark Age refers not just that of the sorcerous villains that are revived/released, but the darkness within the hearts of characters--from the first pages showing us the wasteland of Gepetto's heart and mind, to the darkness in the looting mercernaries, to the surprising revelation of the darkness in Rose Red.
A new romance, a visit to Mowgli's jungle, a terrible loss, and some insight into the emotional dysfunction of one of the main female Fables--a very good scene that's sad and insightful.
As usual, you get so me glorious cover pages reproduced inside (non-glossy) for those of us who prefer the bound volume to the individual issues. It's totally worth taking a pause to enjoy each of the covers, including the bound volume's glossy one that gives a Fables version of a Madonna and dead Christ.
I've never been let down by the FABLES series, and I look forward to seeing what's up next.
Very serious changes occur in this volume, assuring the world of FABLES will never be the same. Two major funerals here, where we say goodbye to characters that have been central to the story up to this point. Fabletown itself is also drastically transformed here, starting a new chapter in the lives of all the mundy-world Fables.
As always, Buckingham's art is absolutely top-notch, while the other artists produce less-pleasing works. They do add some variety and slightly different takes to the story, and none of them are distractingly bad.
While things seemed to be looking up for the Fables, by the end of this one, the situation may be more desperate than ever. The series is still going strong. Highly recommended.
The book soars the most though whenever Gepetto's around. I hope he has a long run as a grumpy bad guy who the good guys are forced to put up with thanks to the deal they made.
The next arc looks to set up a confrontation between the book's main hero Bigby (the big bad wolf) and Beast (of Beauty and the ...). Frankly, one problem with the series is that Bigby's gotten a little too big so I'm hoping we see him taken down a peg or two.