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Heartbreak Soup: The Love & Rockets Library - Palomar Book 1 Kindle & comiXology
"The Love and Rockets Vol. 1 reprints may be my favorite publishing project of the last five years, and there are a lot of fine projects going on... the smaller, bargain-priced volumes [are] the perfect vehicle for that material, the best comics series of all time." -- Tom Spurgeon, The Comics Reporter
- LanguageEnglish
- PublisherFantagraphics
- Publication dateFebruary 21, 2007
- File size644226 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
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- Children of Palomar and Other Tales: A Love and Rockets Book (Love & Rockets Library)4Kindle Edition$17.99$17.99
From the Publisher
In 1982, Fantagraphics Books published the first issue of Love and Rockets by the Hernandez brothers (Gilbert, Jaime, and Mario), and the series has since gone on to become the publisher’s flagship title, a monumental work of graphic fiction. Collected under the umbrella of L&R, the series is comprised of two separate ongoing stories: Gilbert chronicles the colorful inhabitants of the fictional Latin American town of Palomar, while Jaime follows Latinx friends and sometime lovers Maggie and Hopey and their circle of friends in the punk scene of the fictional Californian town Hoppers. Over the course of L&R’s multi-decade run, its characters have aged in real time, lending these stories a depth and weight that few literary works achieve. The Hernandez brothers continue to release new issues of Love and Rockets.
Fantagraphics marks the 40th anniversary of this landmark comic book series in 2022 — The Complete Love and Rockets Library collects L&R in affordable paperback editions. Love and Rockets: The First Fifty is an 8-volume box set presenting bound facsimiles of the original fifty issues of the Love and Rockets comics magazines including every cover, comics page, and letter column (even advertising!) with selected essays, reviews, and profiles that appeared in the popular (and unpopular) press between 1982 and 1996, along with over 100 pages of additional, rarely-seen comics from the period by all three Brothers, plus dozens of book and magazine covers — a virtual history of the growth of Love and Rockets and the simultaneous rise of the literary comics movement of which they were exemplars and trailblazers. This is essential reading for all alternative comics fans.
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Editorial Reviews
Review
― Neil Gaiman
"The Love and Rockets reprints may be my favorite publishing project of the last five years, and there are a lot of fine projects going on... the smaller, bargain-priced volumes [are] the perfect vehicle for that material, the best comics series of all time."
― Tom Spurgeon, The Comics Reporter
"An addictive soap opera, replete with humor and heart."
― The Washington Post
About the Author
Product details
- ASIN : B013XRZABK
- Publisher : Fantagraphics (February 21, 2007)
- Publication date : February 21, 2007
- Language : English
- File size : 644226 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 292 pages
- Best Sellers Rank: #383,245 in Kindle Store (See Top 100 in Kindle Store)
- #137 in Literary Graphic Novels (Kindle Store)
- #138 in LGBTQ+ Graphic Novels (Books)
- #595 in Literary Graphic Novels (Books)
- Customer Reviews:
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Gilbert Hernandez’s characters in "Heartbreak Soup" first appear to represent typical Latino/a stereotypes, but these stereotypes are almost always subverted in his narratives because although they are familiar, Hernandez’s characters are richly complex. By re-presenting how both Latino and Latina characters behave and are perceived in public and private spaces, Hernandez’s Heartbreak Soup subverts and demystifies not only Latino/Latina stereotypes but gender stereotypes as well. This re-presentation brings out complexity and depth in the characters making it difficult for the reader to categorize or read these characters as just mere stereotypes.
Whether it is the Latin Lover, the Spitfire, or the Macho man, Gilbert Hernandez’s Heartbreak Soup manages to bring complexity to these characters. The graphic novel takes many familiar archetypes turned into stereotypes by Hollywood and popular culture and adds very real humanistic components to them. In doing so, the reader’s own perceptions, and perhaps subscriptions to certain stereotypes, are dispelled and subverted. The graphic novel both familiarizes and de-familiarizes the reader to portrayals Latino and Latina in popular culture making it difficult for readers to simply categorize many of its characters. The characters in Heartbreak Soup are certainly more “real” than most characters in Hollywood film and television, and are more accurate representations of not only Latino and Latinas but human beings as well.
While there are prominent characters (Luba, Tontazin, and Israel now being some of my favorite comics creations), the true star of the show is the secluded and archaic town of Palomar.
The great characteristic of this comic is the time spent in this town. You view the world of Palomar through decades, seeing the initial cast grow into the lovably troubled adults they were destined to be. They marry, leave, and mentally collapse, whilst even more eccentric yet wholly believable characters are introduced.
The time spent inside the comic is compelling, and so is the author's time spent outside of it. This comic starts off exceptional, yet one of the most rewarding aspects of this read is seeing Hernandez grow as a storyteller. Each chapter becomes more inventive and defined than the last. By the final chapter, it feels undeniable that this is a work of (uh-oh, here we go again) genius.
Palomar is a world that I know I will revist, and I encourage you to do the same.
What makes this book so amazing is the way it can seamlessly move from one character to the other, showing everyone from a multitude of perspectives filling in blanks left from previous stories and yet keeping some mysteries intact. The only criticism I can make concerns the way certain characters don't seem to age - particularly Luba who looks like Sophia Lauren in her 20s throughout the book. Still that's a very minor quibbling and for a book that succeeds in being the graphic novel tribute to One Hundred Years of Solitude (P.S.) its not important in the overall enjoyment.