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Legion of Super-Heroes (2011-2013) Vol. 3: Fatal Five Kindle & comiXology
Legendary 31st Century super-team creators Paul Levitz and Keith Giffen reunite to tell their latest epic in LEGION OF SUPER-HEROES VOL. 3: THE FATAL FIVE. Collects LEGION OF SUPER-HEROES #15-23.
- LanguageEnglish
- PublisherDC
- Publication dateFebruary 4, 2013
- File size733345 KB
- Due to its large file size, this book may take longer to download
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About the Author
Product details
- ASIN : B00I3OIEIA
- Publisher : DC (February 4, 2013)
- Publication date : February 4, 2013
- Language : English
- File size : 733345 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 198 pages
- Best Sellers Rank: #803,799 in Kindle Store (See Top 100 in Kindle Store)
- #2,541 in Science Fiction Graphic Novels (Kindle Store)
- #5,107 in Science Fiction Graphic Novels (Books)
- #8,998 in Superhero Graphic Novels
- Customer Reviews:
About the author
Paul Levitz was born in Brooklyn, NY in 1956, and entered the comics industry in 1971 as editor/publisher of The Comic Reader, the first mass-circulation fanzine devoted to comics news. He continued to publish TCR for three years, winning two consecutive annual Comic Art Fan Awards for Best Fanzine. His other fan activities included editing the program books for several of Phil Seuling’s legendary New York Comic Art Conventions,. He received Comic-con International’s Inkpot Award in 2002, the prestigious Bob Clampett Humanitarian Award in 2008, and the Comics industry Appreciation Award from ComicsPro (the trade association of comic shop retailers) in 2010. Levitz also serves on the board of the Comic Book Legal Defense Fund.
Levitz is primarily known for his work for DC Comics, where he has written most of their classic characters including the Justice Society, Superman in both comics and the newspaper strip, and an acclaimed run on The Legion of Super-Heroes, a series he’s recently returned to write. Readers of The Buyers’ Guide voted his Legion: The Great Darkness Saga one of the 20 best comic stories of the last century, and visitors to the site comicbookresources.com selected the same story as #11 of the Top 100 Comic Book Stories of All Time. DC Comics has just issued a new hardcover edition of Legion: The Great Darkness Saga, which made the New York Times' Graphic Books Bestseller List.
Cumulatively, Levitz has written over 300 stories with sales of over 25 million copies, and translations into over 20 languages. As a DC staffer from 1973, Levitz was an assistant editor, the company’s youngest editor ever, and in a series of business capacities, became Executive Vice President & Publisher in 1989 and then served as President & Publisher from 2002-2009. He continues as a Contributing Editor, but is now concentrating on his writing.
His current writing projects include Taschen’s 75 YEARS OF DC COMICS: THE ART OF MODERN MYTHMAKING, which the LA Times praised for "its colossal ambitions, insights and collected rarities" and the NY Times called "richly conceived history."
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Was Levitz's idea here "okay, if they're going to cancel my book, I'll make it so no one will ever want to read Legion again?" I bought this even after reading the negative reviews, to see for myself just how bad it is. Save your money and don't bother.
The art - with the exceptions of Portela (2 issues) and Maguire (1 issue) - is hideous. Giffen could draw back in the day ( The Legion of Super-Heroes: The Great Darkness Saga ) but not anymore. It looks like he is no longer capable of drawing something I want to look at.
Wasn't Validus one of Saturn Girl's kids? Is this a Validus II? A new Emerald Empress - we have no idea who she is or why her outfit is so ridiculous - no matter who draws her.
Deaths ***spoiler*** the only confirmed Legionnaire death as I see it is Sun Boy. You can't kill Phantom Girl with a landslide.
The first volume of the New 52 Legion (which didn't really get rebooted - it picks up right after "When Evil Calls" ends) was okay, but this third one, yikes!
Despite being rebooted several times in the last 25 years, the Legion has not flourished as part of the "new 52." That's clearly on display in this book despite Paul Levitz, a longtime Legion writer who brought the group to new heights 30 years ago in the "Great Darkness Saga," manning the helm. The art is fine though there are too many artists which different styles and some of the art simply feels out of place, including a spot from Levitz's old partner Keith Giffen who helped craft some of the plot.
While there are some nice moments, including a look at a leadership election, the book is a mess.Having dragged the plot along, Levitz wrapped things up a bit too quickly due to the cancellation--making the ending anti-climatic to say the least Way too much of the action takes place off screen including the death of one character and the unexplained resurrection of another. Levitz goes over the top in ushering the Legion off the stage and often does it in a gruesome fashion. A longtime time Legion hand and a fan for 50 years, Levitz's love of the team is unquestioned but some of the plot twists (cannibalism?) simply don't work. To his credit, Levitz attempts to wrap things up for his team and give some of the Legion as close to a happy ending as he can manage but even with that being the case there are too many plotlines left unresolved.
There are certainly moments in "The Fatal Five" which will appeal to readers and, especially, longtime Legion fans. But they are not enough to redeem the book. Only die-hard Legion fans should read this book and, frankly, many of them will not enjoy it.
Since Levitz left the Legion in the late 1980s, the team was thrust into a much darker story for Giffen's "Five Years Later" (FYL) series. This proved too dark for many fans and a more traditional version of the team was launched to run concurrently with the FYL team but both were wiped out of existence. DC rebooted the team with the "Archie Legion" which went for ten years before they were pushed aside for the "Threeboot Legion" which was more rebellious. After four years, the "Threeboot Legion" was knocked off for what appeared to the Legion that Levitz had left behind in the late 80s but that team got drastically reshaped as part of the "new 52" as several members left as part of the truly awful "Legion Lost" comic and others left on their own accord.
Confused? This is simply getting absurd with new Legions every few years. Levitz was doing fine with the newest incarnation until the "new 52" took hold and the comic plummeted, not even surviving two years. While the Legion will probably never come back to the glory days of the 80s, there can be a place for it in comics. But, if it does come back, DC needs to find a plan and stick with it instead of rebooting it every few years as new writers come up with ideas. Till then, long live the Legion!
Let me explain. The Legion of Superheroes has always been about three key things; (i) optimism, much in the same vein as Stark Trek was hopeful in its view of humanity; (ii) diversity of cast; and (iii) science fiction. As regards the first element, Legion of Superheroes was different to most series or stories published about the future in comics, because it was wise enough to posit a future in which humanity had essentially figured itself out, defeating poverty, disease, and best of all, had reached out to the stars. It avoided the post-apocalyptic tropes of other elements of popular culture which suggested the future should be feared and would always be worse than the past. Instead, it suggested that the future of humanity was actually going to be positive and that some of the reason for this was the legacy of Superman. An inherently cool idea if ever there was one in comics. The book also benefited from an incredibly large cast. Every month could focus on a different character or group of characters. It was hard to get bored. And to top it all off, the series has always had a very strong science fiction backbone.
Together, these three elements made for one of the most enduring and original series in comics and explained why the concept was particularly popular in the 80s when those three elements were explored to their fullest potential by the same writer of this volume. Cut to the era of the "new 52" and the complete abandonment of those main elements, and what you have is massive, epic, unquestionable failure.
In a move that smacked of corporate stupidity, editorial decree split up the Legion causing the loss of several members of its cast to a sister book set in the past, thereby robbing the main book of some of the key characters responsible for the series appeal and undercutting the main purpose of the concept in the first place (hint, it's about the future, stupid.) By the time this book was relaunched, the size of the Legion was no longer an asset to be exploited. It was a liability requiring a complete betrayal of what made the series valuable. As if Marvel would ever be stupid enough to apologize for the 2 million, seven hundred and 34 X-Men that make up the cast of their books. Then, not content to ruin the Legion that way, there were calls for a darker, more serious "tone." Again, a stupid decree from people (Jim Lee and Dan Didio) who completely misunderstand what the strength of the property is.
And then, if that wasn't enough, there was Keith Giffen. Keith Giffen is responsible for some of my favorite comics. He's a writer and artist who achieved legendary status for his work on the Justice League in the 80s. But every time Keith Giffen gets his hands on the Legion, he breaks it irretrievably.
Which brings us at last to this volume. Reeling from the idiotic editorial decrees to split the cast in half, and alter the tone of the book beyond recognition, Levitz's stories began to break under the weight of having to write something that was a mere echo of the real thing. Realizing that something had to be done, DC thought it was a good idea to let Giffen back onto the book, and between Levitz having lost sight of what made his work resonate and Giffen subconsciously wanting to destroy the Legion for having given him a real career in comics to begin with, these stories take a drastic, dark turn. Characters are slaughtered wholesale and deaths occur in a meaningless, offhand manner, all designed to give readers a false sense that "anything can happen." In the space of two or three issues, the Legion turns from a bright, hopeful series about how humanity claims it's place in the cosmos, inspired by the legacy of Superman and the energy of youth, to a B horror movie trading on cheap shock value as "storytelling." In a particularly ill-judged and misguided sequence, a beloved character is killed for no purpose and subsequently eaten by aliens. But that isn't why people read the Legion in the first place.
Keith Giffen and Paul Levitz should be embarrassed by this work. In fact they should apologize to fans. A betrayal of every fan who waited 20 years or more for the return of the "true Legion" and an indictment of two men whose record actually proved that better could be done, this volume of Legion stories is insulting in many ways. It's heartbreaking, because I waited those 20 years for the Legion to return, only to see it die a horrible, ignoble death. So epic was this failure that DC Comics is actually not publishing a book about this group of characters for the first time in over 40 years.
I'm writing this review for fans of the Legion who cared, who were owed more, and who deserved better.
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Which is not to say that everything here is predictable. There are deaths, and for once I found these comic deaths genuinely shocking - not least because they were understated. When there is war, people do not always go out in a blaze of glory; sometimes they are in the wrong place at the wrong time. These deaths also hit hard because of the reactions of the survivors - unlike the "deaths" in Legion Lost, here people grieve for those who are killed.
My only hesitation here is the artwork, which varies a lot. Sadly the weakest episode is the one drawn by Giffen, who was a great Legion artist in the past. His work with Levitz on The Great Darkness Saga was a peak, but he is long past that now. Here his work is reminiscent of Kirby on a bad day, and Kirby would never have suited the Legion. Luckily Portela is also in action, providing the clean lines this story needs, but it would have been better had he drawn the entire thing.
This is an ending. It seems that the title has been cancelled, due to falling sales. Personally I'm baffled by that, but any publisher will only keep a title going if it is profitable. Maybe the Legion needs a bit of fallow time but this collection, like all Levitz' work, is consistent with all that has happened in the past (right back to the Golden Age with Shooter in the 60s) and yet deeper and more mature. At some point, I feel sure, the Legion will be brought back. I can only hope that when it is the writer will pick up and build on this run, rather than carelessly throwing it away in yet another reboot. This is a fitting ending, but I salute the once and future Legion.