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Lost in Space: Countdown to Danger Vol. 1
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Lost in Space: Countdown to Danger Vol. 1 Kindle & comiXology
by
Richard Dinnick
(Author),
Brian Buccellato
(Author),
Zid
(Illustrator, Cover Art, Artist, Penciller, Inker, Colorist)
&
0
more Format: Kindle Edition
All new, untold adventures featuring the full crew from the hit Netflix show: the Robinsons, the Robot, Doctor Smith, and Don West. These are the missions you didn't see on TV, as our heroes struggle to survive in an unknown world full of new creatures, unexpected visitors, and new danger.
- LanguageEnglish
- PublisherLegendary
- Publication dateDecember 11, 2018
- File size197325 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
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Editorial Reviews
About the Author
Richard Dinnick is a British writer for TV, comics and books. He is a member of the Writers’ Guild, BAFTA for whom he has served as a judge and is a visiting lecturer in scriptwriting at several universities in the UK. He is the creator of Legendary Entertainment’s ROB (a new twist on the Robin Hood mythos) and of After-Shock Comics’ LAST LINE. Richard has his own TV dramas in development on both sides of the Atlantic and has written on several TV shows, across the globe from the UK and USA to India and Dubai, including the latest series of THUNDERBIRDS ARE GO! for ITV and Amazon Studios, and won the British Screenwriters' Award for Best Children’s TV Show in 2018 for his work on the BBC’s GO JETTERS. Richard is the lead writer on the tie-in comic for Netflix’s hit show LOST IN SPACE – also for Legendary Entertainment – and has new IP coming next year in the form of comic books yet to be announced as well as work on existing franchises. Richard has several Titan Comics’ DOCTOR WHO series under his belt and has written many titles for the franchise's book range released by Penguin Random House.
Brian Buccellato is a #1 New York Times best-selling author out of the comic book universe, where he is best-known for his work on DC Comics’ titles THE FLASH, BATMAN, and INJUSTICE. In 2017, he completed Universal Studios' Feature Writer Program and was a member of Dan Lin’s 2019 inaugural TV development Incubator at Rideback where he developed an original pilot for MRC. He previously adapted his Image comic series CANNIBAL for Square One, who also optioned his first creator-owned book, SONS OF THE DEVIL. Brian’s recent comic work includes the yet to be released HEADWOUNDS for Legendary and Oscar Isaac, ARMORCLADS for Valiant Comics, and CHICKEN DEVIL, a new creator-owned with Aftershock Comics.
Raised in Queens, New York by a single Puerto Rican mother, Brian originally made his way into comics as a colorist for MARVEL and DC COMICS, before segueing to writing. He got his start in Hollywood working with director Tim Story, co-writing an indie thriller and eventually assisting on multiple studio films. A high school dropout who took the long road in life, Brian has gained a wealth of life experiences from odd jobs along the way, including working in a steel company, bartending, and ushering at a movie theater—all of which help to inform the grounded characters and worlds Brian creates. However, Brian’s most influential role in life is father to his twenty-year-old son, Paris, and young daughters Sophia and Olivia.
Zid was born 2 days after Christmas in 1983, and he is living his childhood dream drawing and painting what he has always been most passionate about: comics. He is a multidisciplinary artist based in Malaysia and was nominated at #8 in 10 Comic Book Creators To Watch in 2013 on Newsarama.com for his maiden project with Robert Napton. His career with Legendary Comics began with Trick ‘r Treat: Monster Mash in late 2015. This work relationship continued with the digital graphic novel prequel to the Netflix movie Spectral: Ghosts of War in 2016, and his biggest responsibility yet, Skull Island: The Birth of Kong in 2017. After a change of terrain with Lost in Space: Countdown to Danger, he returned to Skull Island for Kingdom Kong. In his free time (which is not a lot), you can see him updating his social media accounts with his slice of life comic as a work-from-home dad under the hashtag #DOAWFHD.
Brian Buccellato is a #1 New York Times best-selling author out of the comic book universe, where he is best-known for his work on DC Comics’ titles THE FLASH, BATMAN, and INJUSTICE. In 2017, he completed Universal Studios' Feature Writer Program and was a member of Dan Lin’s 2019 inaugural TV development Incubator at Rideback where he developed an original pilot for MRC. He previously adapted his Image comic series CANNIBAL for Square One, who also optioned his first creator-owned book, SONS OF THE DEVIL. Brian’s recent comic work includes the yet to be released HEADWOUNDS for Legendary and Oscar Isaac, ARMORCLADS for Valiant Comics, and CHICKEN DEVIL, a new creator-owned with Aftershock Comics.
Raised in Queens, New York by a single Puerto Rican mother, Brian originally made his way into comics as a colorist for MARVEL and DC COMICS, before segueing to writing. He got his start in Hollywood working with director Tim Story, co-writing an indie thriller and eventually assisting on multiple studio films. A high school dropout who took the long road in life, Brian has gained a wealth of life experiences from odd jobs along the way, including working in a steel company, bartending, and ushering at a movie theater—all of which help to inform the grounded characters and worlds Brian creates. However, Brian’s most influential role in life is father to his twenty-year-old son, Paris, and young daughters Sophia and Olivia.
Zid was born 2 days after Christmas in 1983, and he is living his childhood dream drawing and painting what he has always been most passionate about: comics. He is a multidisciplinary artist based in Malaysia and was nominated at #8 in 10 Comic Book Creators To Watch in 2013 on Newsarama.com for his maiden project with Robert Napton. His career with Legendary Comics began with Trick ‘r Treat: Monster Mash in late 2015. This work relationship continued with the digital graphic novel prequel to the Netflix movie Spectral: Ghosts of War in 2016, and his biggest responsibility yet, Skull Island: The Birth of Kong in 2017. After a change of terrain with Lost in Space: Countdown to Danger, he returned to Skull Island for Kingdom Kong. In his free time (which is not a lot), you can see him updating his social media accounts with his slice of life comic as a work-from-home dad under the hashtag #DOAWFHD.
Product details
- ASIN : B0986N6HX5
- Publisher : Legendary (December 11, 2018)
- Publication date : December 11, 2018
- Language : English
- File size : 197325 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 51 pages
- Best Sellers Rank: #1,839,271 in Kindle Store (See Top 100 in Kindle Store)
- #2,047 in 90-Minute Comic & Graphic Novel Short Reads
- #6,553 in Media Tie-In & Adaptation Graphic Novels
- #6,658 in Science Fiction Graphic Novels (Kindle Store)
- Customer Reviews:
Customer reviews
4.4 out of 5 stars
4.4 out of 5
74 global ratings
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Top reviews
Top reviews from the United States
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Reviewed in the United States on April 26, 2020
Perfect
Reviewed in the United States on April 3, 2019
adds to the Netflix show
Reviewed in the United States on May 4, 2019
great book , glad i got it.
Reviewed in the United States on August 19, 2019
It was ok.
Reviewed in the United States on December 14, 2018
DISCLAIMER: I received a PDF from the publisher for review on my site, Comics Now.
DISCLAIMER 2: I read this before watching any of the Netflix show.
Countdown to Danger works well in and of itself--the artwork is both aesthetically and functionally excellent, and the characters are well-written in each of the two stories contained in the book. As a regular reader and critic of comic books from all over the spectrum, I feel like this has a credibility in the medium that many adaptations fail to attain.
But the book also made me interested enough in the property to begin checking out the show last night. I would have read the book differently had I seen the show first, and perhaps I would have enjoyed it even more; but it works well enough, and as a marketing tool to drive comics fans to the show, I'm at least one test case that works out well for Legendary.
All-in-all, I was surprised by the level of quality here, and I recommend the book. I'm looking forward to watching more of the show and the follow-up comic in the spring.
DISCLAIMER 2: I read this before watching any of the Netflix show.
Countdown to Danger works well in and of itself--the artwork is both aesthetically and functionally excellent, and the characters are well-written in each of the two stories contained in the book. As a regular reader and critic of comic books from all over the spectrum, I feel like this has a credibility in the medium that many adaptations fail to attain.
But the book also made me interested enough in the property to begin checking out the show last night. I would have read the book differently had I seen the show first, and perhaps I would have enjoyed it even more; but it works well enough, and as a marketing tool to drive comics fans to the show, I'm at least one test case that works out well for Legendary.
All-in-all, I was surprised by the level of quality here, and I recommend the book. I'm looking forward to watching more of the show and the follow-up comic in the spring.
Reviewed in the United States on January 27, 2020
I really enjoy the Netflix Lost in Space series. While this isn't essential reading, and doesn't really provide information that we don't get from the show, it was still a fun read. Penny gets a particularly nice spotlight here, which is appreciated. And the art is really nice. As a fan of the show, this was a lot of fun.
Top reviews from other countries
Mark
5.0 out of 5 stars
Amazing book! Totally worth it.
Reviewed in Canada on April 6, 2022
Although I can agree that it is expensive, it was a good book but I feel like there weren’t many pages. (there is about 52 pages). But the drawing were amazing and the comic was nice.