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Marvel Knights Spider-Man (2004-2006) #1 Kindle & comiXology
- LanguageEnglish
- PublisherMarvel
- Publication dateApril 14, 2004
- File size91856 KB
- Due to its large file size, this book may take longer to download
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Product details
- ASIN : B00ZMNC23I
- Publisher : Marvel (April 14, 2004)
- Publication date : April 14, 2004
- Language : English
- File size : 91856 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 25 pages
- Best Sellers Rank: #2,335,180 in Kindle Store (See Top 100 in Kindle Store)
- #54,749 in Superhero Comics & Graphic Novels
- #98,992 in Comics, Manga & Graphic Novels
- Customer Reviews:
About the author
Along with Brian Michael Bendis, Mark Millar has been one of the key writers for Marvel Comics in the 21st century. After proving himself in the ’90s as a talent to watch while writing for DC Comics and the UK comic 2000AD, his arrival to Marvel came at a time when Ultimate Spider-Man had just shot up the sales charts. It was in this environment that Millar made his first major contribution to Marvel with Ultimate X-Men, as Millar integrated forty years’ worth of X-Men history, characters and lore into a solid two-year run, making the companion title to Ultimate Spider-Man every bit the creative and commercial success. Next up was The Ultimates, a new rendering of the Avengers that was to continue building on the success of the Ultimate line. He and artist Bryan Hitch pulled it all off in spades: The Ultimates and its sequel, Ultimates 2, were ensconced at the top of the sales charts every month; what’s more, they were critical successes, as well. Meanwhile, Millar was invited to enter the regular Marvel Universe to take a stab at two of its most iconic characters: Spider-Man and Wolverine. Paired with industry heavyweights to draw his stories — Terry Dodson on Marvel Knights Spider-Man and John Romita Jr. on Wolverine — Millar brought the same fast-paced and cleverly constructed plots with which his Ultimate fans were already familiar. Amid building a small library of Millarworld indie comic books — including the titles Chosen and Wanted, the latter of which was turned into a Hollywood blockbuster starring Angelina Jolie — he managed to write Civil War, the epic seven-issue miniseries that definitively reshaped the landscape of Marvel’s heroes. Kick-A**, a Marvel Icon project done in tandem with John Romita Jr., made an impressive impact on the sales chart before also being adapted for a major motion picture. In addition, Millar has reunited with Civil War artist Steve McNiven in both the pages of Wolverine and their creator-owned book Nemesis.
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First of all, this is a relatively recent book, and so has an outrageously complex backstory. However, Mark Millar did a great job at making a self-contained story that didn't alter Spidey's history but also didn't require extensive knowledge of it. A ton of characters make appearances, most importantly the Green Goblin, Venom, and The Black Cat (and tons of others), but it's really easy to figure out their connections. The only history that's important to know is the Death of Gwen Stacy, which I figure any Spider-man fan would know anyway.
Secondly, the story is great. It has epic action scenes, villains both maniacal and sympathetic, psychological torment (it wouldn't be Spider-man without it), and suspense. It even has a little political commentary. I won't give away much of the story because it's such a great read, but it's paced wonderfully and builds to a great climax. My understanding is that it was shortly after this story that Peter Parker revealed his secret identity and went public, and this would serve as a final chapter to Peter Parker's secret life, since his protecting his identity from both enemies and other heroes plays a big role in the story.
Finally, the art is great. Most of the issues were drawn by Terry and Rachel Dodson, and a few are by Frank Cho. They're styles are a bit different, but it's not a jarring change, and both are excellent. All the character designs and emotional beats and drawn fantastically. Of course, as in many comic books, the women are over-the-top babes, which might be a draw, and even if its not, at least the women in the story are heroic and not useless.
This book works for any comic fan, whether a Spidey die-hard or someone who just wants one good epic Spider-man story with great villains. The only other thing to note is that it's a "Marvel Knights" book, so it's not as kid-appropriate as many. The violence is pretty brutal and somewhat graphic (though not absurdly so by any means) and the themes can be a bit mature. It's fine for any teenager or older, I'd think.
This book offers a BRILLIANTLY written and better than average drawn story which is so entertaining and most of all, complete!
It doesn't start at the beginning, but rather, the middle of Spider-Man's career. There's no wasting time on the origin here. It's all action and characterisation in a great balance.
I was also grateful the themes in this book are a little more adult than the regular comics. Like Mark Millar's exploration into domestic violence in THE ULTIMATES, he looks at the uncertainty within a less than normal marriage while under extreme stress with great success. I feel like I've grown up (now I'm in my mid 20s) and this is where Spider-Man is now in his world too 15 years later.
This book is right on par with Mark Millar's work on Ultimate X-Men and Wolverine too. And the gorgeous oversize hardcover is a nice addition to anyone's bookcase.