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Michael Avon Oeming
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Red Sonja: She-Devil With a Sword Vol. 3: Rise of Gath (Red Sonja: She-Devil With a Sword (2010-2013)) Kindle & comiXology

by Michael Avon Oeming (Author), Mel Rubi (Illustrator, Artist), Stephen Sadowski (Illustrator, Artist) Format: Kindle Edition
4.0 4.0 out of 5 stars 8 ratings
See all formats and editions
Features Red Sonja issues 13-18 of the critically-acclaimed series, plus a complete cover gallery, and sketch material!
This brand-new digital Dynamite collection includes the Red Sonja storyline that forever changed the world of the She-Devil with a Sword as Sonja faces THE RETURN OF KULAN GATH!
After the events of issue #12, Red Sonja faced the growing menace of an unseen Kulan Gath as he operated from behind the shadows through his puppet god, the Borat Na-Fori! Now, in these very pages, Gath's true play will be revealed and Sonja and her companions will be left reeling and stranded half a world away when it's all over!
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  1. Part of Series
    Red Sonja: She-Devil With a Sword (2010-2013)
  2. Print length
    154 pages
  3. Language
    English
  4. Sticky notes
    Not Enabled
  5. Publisher
    Dynamite Entertainment
  6. Publication date
    December 19, 2007
  7. Reading age
    16 years and up
  8. File size
    509444 KB
  9. Page Flip
    Not Enabled
  10. Word Wise
    Not Enabled
  11. Enhanced typesetting
    Not Enabled
  12. See all details
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Product details

  • ASIN ‏ : ‎ B00GULTNBK
  • Publisher ‏ : ‎ Dynamite Entertainment (December 19, 2007)
  • Publication date ‏ : ‎ December 19, 2007
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 509444 KB
  • Text-to-Speech ‏ : ‎ Not enabled
  • Enhanced typesetting ‏ : ‎ Not Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Not Enabled
  • Sticky notes ‏ : ‎ Not Enabled
  • Print length ‏ : ‎ 154 pages
  • Customer Reviews:
    4.0 4.0 out of 5 stars 8 ratings

About the author

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Michael Avon Oeming

Michael Avon Oeming

Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.

Mike began his comics

career at the age of

14, breaking in as an

inker. Growing up in

a small town, Mike

found tutelage under

Neil Vokes and Adam

Hughes, while corresponding

with Nexus

creators Steve Rude

and Mike Baron. After

years working in indie press, his first big

break was as an inker on Daredevil, and

shortly after as penciler/inker on DC’s version

of Judge Dredd, then Foot Soldiers at

Dark Horse Comics. During the mid-’90s

comics crash, Mike moved back into indie

comics, starting on his path of creatorowned

comics with Ship of Fools, co-created

with Bryan J.L. Glass. While drawing

Ship of Fools, Mike continued with other

paying work, such as inking Neil Vokes on

Ninjack and drawing Bulletproof Monk, which

later became a John Woo film. Business

was slow when Mike experimented with a

new, simpler style of drawing, and began

developing several projects, including The

Mice Templar, Hammer of the Gods, Quixote,

and what would become Powers with Brian

Michael Bendis, whom Mike had met several

years earlier.

Powers has been nominated for a Harvey

Award and won an Eisner Award for best

new series. With Powers ongoing, Mike has

since tackled several other projects, including

Hammer of the Gods, Parliament of Justice,

Hellboy, Catwoman, 86 Voltz: The Dead Girl,

The Goon, Quixote, Magician Apprentice (with

Bryan J.L. Glass) The Cross Bronx, The Darkness,

The Spirit, Red Sonja, and Rapture with Taki

Soma. His writing stint on the final run

of the original Thor as well as on Thor: Blood

Oath has been widely acclaimed. Beta Ray

Bill and Ares are amongst his other Marvel

Comics writing credits.

Mike is currently working on The Mice

Templar, The Victories for Dark Horse Comics,

Takio and Powers with Brian Bendis, all creator

owned titles

Customer reviews

4 out of 5 stars
4 out of 5
8 global ratings

Top review from the United States

Kindle Customer
4.0 out of 5 stars Teenage fantasy
Reviewed in the United States on December 22, 2021
Reading this series 20 years later, I am forced to admit that it is a shallow work of teenage male fantasy, but it knew exactly what to give its target audience.
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