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Star Trek: New Visions Vol. 6 Kindle & comiXology
- LanguageEnglish
- PublisherIDW
- Publication dateJanuary 3, 2018
- File size478565 KB
- Due to its large file size, this book may take longer to download
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Editorial Reviews
About the Author
Product details
- ASIN : B076HBQ979
- Publisher : IDW (January 3, 2018)
- Publication date : January 3, 2018
- Language : English
- File size : 478565 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 132 pages
- Best Sellers Rank: #1,057,076 in Kindle Store (See Top 100 in Kindle Store)
- #3,605 in Science Fiction Graphic Novels (Kindle Store)
- #4,010 in Media Tie-In & Adaptation Graphic Novels
- #6,859 in Media Tie-In Graphic Novels
- Customer Reviews:
About the author
John Lindley Byrne (born July 6, 1950) is a British-born American comic-book writer and artist. Since the mid-1970s, Byrne has worked on many major American superheroes. Byrne's better-known work has been on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise, the first issue of which featured comics' first variant cover. Coming into the comics profession exclusively as a penciler, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he started inking his own pencils). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He scripted the first issues of Mike Mignola's Hellboy series and produced a number of Star Trek comics for IDW Publishing. In 2015, Byrne and his longtime X-Men collaborator Chris Claremont were inducted into the comic book hall of fame.
Bio from Wikipedia, the free encyclopedia. Photo by Corey Bond from United States (John Byrne. Cropped prior to upload.) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/)], via Wikimedia Commons.
Customer reviews
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Byrne's story ideas are great and well in keeping with the Sixties' aesthetic. For the most part, the Photoshop effects work well, but there are places where the lighting, posing and definition seem "off" (especially for the Traveler).