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Superman - Action Comics (2011-2016) Vol. 2: Bulletproof (Superman - Action Comics Volumes (The New 52)) Kindle & comiXology
Legendary writer Grant Morrison (ALL-STAR SUPERMAN, BATMAN) continues his best-selling, critically acclaimed run on SUPERMAN: ACTION COMICS, with art by Rags Morales (IDENTITY CRISIS), Gene Ha (TOP 10) and a host of comics' finest illustrators.
This trade paperback graphic novel collects SUPERMAN: ACTION COMICS 9-12, 0 and ANNUAL 1.
- LanguageEnglish
- PublisherDC
- Publication dateMay 7, 2013
- File size596472 KB
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About the Author
In his secret identity, Morrison is a “counterculture” spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times best-seller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.
Product details
- ASIN : B00BUSN8G4
- Publisher : DC (May 7, 2013)
- Publication date : May 7, 2013
- Language : English
- File size : 596472 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 213 pages
- Best Sellers Rank: #164,820 in Kindle Store (See Top 100 in Kindle Store)
- #1,081 in Superhero Graphic Novels
- #2,079 in Superhero Comics & Graphic Novels
- Customer Reviews:
About the author
Grant Morrison is one of comics' greatest innovators. His long list of credits includes Batman: Arkham Asylum, All-Star Superman, JLA, Green Lantern, Animal Man, Doom Patrol, The Invisibles, WE3 and The Filth.
The TV series of his graphic novel HAPPY! is showing on SYFY and Netflix.
Photo by PDH (File:Grant_morrison.jpg) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
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The fifth dimensional concept that Morrison has going on is well tought out with freshly re imagining of Supermans mythology but keeping it at a theoretical mínimum so that it can be understood but I do believe that in order to get everything straight you have to read next volumen (which I have in single magazine form) to fully appreciate the beauty of what Morrison acomplished. by the way the next volumen is even better, some of the best Morrison out there.
It's hard to summarize this book because it jumps around a lot. The book starts with an alternate universe Superman clearly meant to pay homage to the Barack Obama as Supermen meme. Then we move back to the hunter who was paid to kill Superman in the previous volume. Some stories move back in time to when Clark first moved to metropolis, some stories veer off into other areas like the one about a boy who manages to snatch away Superman's cape when he's momentarily incapacitated. The most prominent storyline concerns mutant `neo-sapiens'; people who are born 10,000 years early and possess psycho kinetic abilities. This storyline has no conclusion and volume 2 in general leaves a ton of questions unanswered so readers will have to wait until volume 3 where hopefully things will either be resolved or continue to carry forward if there are further volumes.
I've been a little confused by the `New 52' as it relates to Grant Morrison's run on Superman. I had thought this was supposed to be a reboot. Morrison has created a young Superman seemingly at the beginning of his career but then he includes all sorts of existing characters as if this Superman has already acquired a stable of villains. Morrison also does a lot of things that would seem only possible in an elsewhere story as in having events occur that would radically change Superman's life on Earth. As with his run on Batman, Morrison really makes the character his own and tends to write fearlessly which can be both a blessing and a curse.
Apparently Superman is a REALLY hard character to write for. He is my favorite Superhero and yet I rarely if ever buy newer Superman comics because it's been years since his stories have been interesting outside of the stuff Grant Morrison has written. I won't deny that Morrison still has issues with plots being all over the place but in this case I enjoyed the stores. I can't really blame people who don't like this material because it can be confusing. This is not his best work ever but it's far from his worst. I can't really give this the full 5 stars but it's still the best Superman material I've read since All-Star Superman.
SUPERMAN: ACTION COMICS VOL.2: BULLETPROOF collects issues #9-12, #0, and ACTION COMICS ANNUAL #1.
Issue #9 deals with alternative universe Earth-23 Superman (introduced in Final Crisis ! But not necessary to know for new readers), Calvin Ellis, black superhero and president of the United States that runs into anther universe's Clark Kent and Lois Lane running from their universes Superman that has gone bad. This issue has nothing to do with the current N-52 Clark Kent Superman, so this tale might feel non-important and misplaced, but it is a reasonably good read that examines the flip-side of a evil Superman that is opposite from what Calvin or Clark, in that this evil Superman being a corporate figure. Morrison actually turns the ideals of Superman into a conglomerate corporate machine (something I'm surprised DC would let published), almost like Morrison is attacking all forms of merchandised Superman properties. None the less, the issue is good and goes with Action Comics showcasing Clark Kent's Superman as a social crusader, so why not show an alternative universe version of Superman as the complete opposite ideology? Thankfully, the issue will come back to play in the next volume, so this issue isn't just a random story.
Issues #10 introduces Maxim Zarov AKA Nimrod, a hunter looking into bagging Superman as the ultimate target, that leads into the supposed "death" of Clark Kent. This issue mostly has Superman taking down a child killer and Nimrod on Clarks trail. The character of Nimrod is sadly underplayed and underdeveloped here, which Nimrod comes off as a shallow rip-off of Marvel's Kraven. Even worse, the conclusion of Nimrod and Superman has a buildup that ends suddenly for no reason. Other then that, the few moments of Superman with the Justice League comes off a great few pages of interaction (and even foreboding to future events). Overall mediocre issue.
Issues #11-12 deals with Superman into his new "identity" and an powerful telekinesis enemy named Adam that wants Lois's niece, Susie, to go with him to another planet, but Superman won't allow this. This mini-arc deals with Superman's new "identity" and trying to defeat Adam. A reasonably good arc that Morrison brings back an old DC character Adam Blake, Captain Comet, as a villain that comes off as a unique retelling of an old DC hero into a villain. The problem with this arc is the unexplainable feeling of missing parts of information, that things just happen. How does Susie have powers all of a sudden? Did Adam gain powers from the passing by meteor or just some random power by birth? And the ending section where Superman saves a persons life by studying all things medical and operating on a person in 5 minutes sound like a dues ex machina moment. Why couldn't Superman do this for other people? And whats the point of killing off Clark Kent, just to gain it back 2 issues later? Either way, it's a descent arc.
Issue #0 is about Superman when he first appeared in Metropolis for the first time and loses his cape to a young boy. This is a great issue. This is a very simple and straightforward issue that doesn't do anything drastic to change Superman's mythos, but it has a lot of heart for Clark being who he is and stands for, the boy going around using the indestructible cape, and another way of explaining the "S" logo for the first time.
The Annual #1 is about Clay Ramsay becoming the Kryptonite Man and wanted to destroy Superman for revenge, as well more insight on relationship of John Henry Irons and Superman as friends and colleges. Overall fun and light-hearted annual.
And the backups issues all done by Sholly Fisch include additional story of Earth-23 Superman Calvin Ellis, a remembrance of Clark Kents passing, the guy that printed Supermans first "S" shaped shirts, and more information on Adam Blake. All of the backups are worth your time to read. They offset Morrisons crazy story telling, they add more depth to each of his stories, and explain any confusing or missing information Morrison doesn't explain that is clearly pointed out for readers. So the backups are worth your time to read.
So volume 2 feels a lot like Silver-Age comics, in that each issue feels like one-and-done stories from one another, with additional silver-age weirdness involved. This makes volume 2 a much cluttered feeling about it, because volume 1 had a good user friendly narrative about it, now Morrison feels like he's ditching his New-52 writing style to match his pre-52 story telling. This makes it so new readers following along might be lost and confused at the change of direction, yet older fans might really be happy that Morrison is not letting any of his pre-Flashpoint storylines die out in the wind. Morrisons Action Comics is mostly about Supermans origin stories, and volume 2 might feel utterly cluttered, but there is a feeling that all of the confusion will eventually come full-circle in volume 3 for the end of Morrisons run on Action Comics, especially the ending in this book (Clarks landlady is affiliated with a certain Superman villain that looks like it will explain A LOT of the weirdness factor going on).
Artist Rags Morales still does decent work on art duties, and sometimes it comes out really well, but his art on Action Comics just doesn't work. In fact, I feel as if it has gotten worse in volume 2 with little to no detail in some panels, some faces look alike, and some have barely any expressions at all. I just get the feeling Morales is just not a monthly artist type of guy. Thankfully, all other fill-in artist does extremely well for what they do. Brad Walker, Cully Hamner, Gene Ha, Ben Oliver, CAFU, and Ryan Sook all do commendable jobs that I wish each one of these artist would have taken over as primary artist.
So SUPERMAN: ACTION COMICS VOL.2: BULLETPROOF is one heck of a mixed feeling book that is difficult to grade properly. It's very incomprehensionable, some crazy Morrison ideas here that new readers might not understand, Rags Morales art is still hit-or-miss, and the overall stories feel scattered from what Morrison is trying to tell in the end-run. But the positives are the Silver-Age vibe, Morrison's ambitious experimentation, the #0 issue and all backups are great, and rest of the artist hold up just fine. Volume 2 really is a big mixture of good and bad and is really difficult to recommend to a certain crowd. So I guess if you liked volume 1, then give volume 2 a shot and just be prepared for the changed of direction of where this book is going. I'll give the book a 3 ½ star-rating, but I'll round off to 3-star rating to be just in the middle.
I'll be sticking to the end of Grant Morrison's run fro Superman - Action Comics Vol. 3: At The End of Days (The New 52) . See you then.
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Reviewed in Mexico on June 6, 2016