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Loved this!
I’ve been meaning to read this for some time m now and I’m so glad I did. The story is so creative, empathetic with age (not her powers hahaha), and the artwork is so clear and lovely to admire. It really brings the dialogue to life. I can’t wait to get the Beast Boy story next!
Top reviews from the United States
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Reviewed in the United States on January 8, 2024
I’ve been meaning to read this for some time m now and I’m so glad I did. The story is so creative, empathetic with age (not her powers hahaha), and the artwork is so clear and lovely to admire. It really brings the dialogue to life. I can’t wait to get the Beast Boy story next!
Images in this review
Reviewed in the United States on July 3, 2019
Gabriel Picolo has been making Teen Titans art for years; these characters are basically his children. For DC to hire him on a Teen Titans book, and then again for Teen Titans: Beast Boy, coming Summer 2020, must have been a dream come true for him, and even just as a fan of his work, this has been incredible to see.
Then there’s the writer, Kami Garcia, who in her acknowledgements states she needed to be convinced to write a graphic novel, much less a Raven story.
Make NO mistake, the art is an absolute treasure, and this book can still be immensely appreciated and enjoyed based on its art alone. However, this contrast in the artist and writer’s interest, willingness, and dedication to these characters is hard to ignore, and is why the story falls flat.
While typically a story in this medium should be judged on its writing and art together, DC Ink and DC Zoom’s line of YA graphic novels makes that very hard to do. It seems as though DC just slapped together a bunch of novelists and artists, expected the novelists to be good at writing in an entirely different medium, and expected the artist to just illustrate whatever the author wrote. When instead, DC should have carefully paired up artists and writers with good synergy, who would work together to create a story where they both played to each other’s strengths.
But what we get is KAMI GARCIA in huge lettering on the front cover and a barely noticeable credit to Gabriel Picolo. It’s also worth mentioning that Picolo was not allowed a foreword like Garcia was, which I thought was extremely unfair.
While the reader does not need any prior knowledge of the Teen Titans or Raven to understand or enjoy this story, the team producing it should still understand core aspects about these characters, which Gabriel Picolo absolutely does. Kami Garcia, however, barely wrote a Raven book. So much of this story has nothing to do with Raven, and it’s clear that that’s because Kami Garcia doesn’t know who Raven is. Garcia adds a bunch of original characters and concepts that have nothing to do with Raven or the real story at hand, that it ends up reaching a climax with poor build-up and an even poorer resolution.
Back to the art, while Gabriel Picolo’s art is phenomenal and really the only reason you should buy this book, and you should, something seemed off. I don’t know if it was the editor, or Garcia herself, but Picolo’s art and coloring is very subdued compared to the Teen Titans art Picolo’s fans are used to seeing on his socials. They are vibrant with colors that pop, where this book is gray and maybe sometimes purple. The pictures included with this review are an example of a subdued page, followed by those that exhibit Picolo's strengths as a colorist. These few panels where things are more fully colored, you can see Picolo’s skill shine through; perhaps his vibrant pages could have even brightened Garcia’s dull writing.
More on that, though, is that in the sneak peek we get for Teen Titans: Beast Boy, there’s already a noticeable difference in how it’s colored. So maybe Picolo has more freedom in the next one.
Kami Garcia is still the writer for the next one, which is very unfortunate, but I’ll be buying the graphic novel regardless, because these are fantastic lookbooks of the characters, and it’s incredibly satisfying getting to Gabriel Picolo’s art in this officially licensed capacity. He’s come so far, and that’s worth supporting no matter who writes the book.
Then there’s the writer, Kami Garcia, who in her acknowledgements states she needed to be convinced to write a graphic novel, much less a Raven story.
Make NO mistake, the art is an absolute treasure, and this book can still be immensely appreciated and enjoyed based on its art alone. However, this contrast in the artist and writer’s interest, willingness, and dedication to these characters is hard to ignore, and is why the story falls flat.
While typically a story in this medium should be judged on its writing and art together, DC Ink and DC Zoom’s line of YA graphic novels makes that very hard to do. It seems as though DC just slapped together a bunch of novelists and artists, expected the novelists to be good at writing in an entirely different medium, and expected the artist to just illustrate whatever the author wrote. When instead, DC should have carefully paired up artists and writers with good synergy, who would work together to create a story where they both played to each other’s strengths.
But what we get is KAMI GARCIA in huge lettering on the front cover and a barely noticeable credit to Gabriel Picolo. It’s also worth mentioning that Picolo was not allowed a foreword like Garcia was, which I thought was extremely unfair.
While the reader does not need any prior knowledge of the Teen Titans or Raven to understand or enjoy this story, the team producing it should still understand core aspects about these characters, which Gabriel Picolo absolutely does. Kami Garcia, however, barely wrote a Raven book. So much of this story has nothing to do with Raven, and it’s clear that that’s because Kami Garcia doesn’t know who Raven is. Garcia adds a bunch of original characters and concepts that have nothing to do with Raven or the real story at hand, that it ends up reaching a climax with poor build-up and an even poorer resolution.
Back to the art, while Gabriel Picolo’s art is phenomenal and really the only reason you should buy this book, and you should, something seemed off. I don’t know if it was the editor, or Garcia herself, but Picolo’s art and coloring is very subdued compared to the Teen Titans art Picolo’s fans are used to seeing on his socials. They are vibrant with colors that pop, where this book is gray and maybe sometimes purple. The pictures included with this review are an example of a subdued page, followed by those that exhibit Picolo's strengths as a colorist. These few panels where things are more fully colored, you can see Picolo’s skill shine through; perhaps his vibrant pages could have even brightened Garcia’s dull writing.
More on that, though, is that in the sneak peek we get for Teen Titans: Beast Boy, there’s already a noticeable difference in how it’s colored. So maybe Picolo has more freedom in the next one.
Kami Garcia is still the writer for the next one, which is very unfortunate, but I’ll be buying the graphic novel regardless, because these are fantastic lookbooks of the characters, and it’s incredibly satisfying getting to Gabriel Picolo’s art in this officially licensed capacity. He’s come so far, and that’s worth supporting no matter who writes the book.
Images in this review
Reviewed in the United States on September 25, 2020
Top reviews from other countries
Nadia Guerrero
Lectura ligera. El arte es hermoso.
Reviewed in Mexico on January 27, 2022
Amazon Customer
Teen Titans 2003 was the best show ever
Reviewed in India on October 29, 2023
Amazon Customer
Reviewed in India on October 29, 2023
Images in this review
